Items

• Kunstforum International
  Kunst lernen?
• Kunstforum International
  Public Image
• Kunstforum International
  58. Biennale Venedig 2019
• Kunstforum International
  Borderlines. Kunst _ Nichtkunst _ Nichtkunstkunst
• Kunstforum International
  Act! Die entfesselte Performance
• Kunstforum International
  Gegenwartsbefreiung
• Kunstforum International
  Quo Vadis Biennale?
• Kunstforum International
  This is Not a Love Song; zum verhältnis von Kunst und Musik
• Weten wat je ziet
  Vries, Alex de
• Inside Le Corbusier's Philips Pavilion
  Wever, Peter
• DADA in Zürich
  Bolliger, Hans
• See All This
  2020
• Lawrence Malstaf
  Witteveen + Bos
• Joseph Beuys
  Loers, Veit
• Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee, 1968
  The performance took place at the State Art Academy in Düsseldorf in December 1968. For close to an hour its three participants intoned the phrase ‘Ja, Ja, Ja, Ja, Ja, Nee, Nee, Nee, Nee, Nee‘ [Yes, Yes, Yes, Yes, Yes, No, No, No, No, No], speaking at varying speeds and with varying inflections, but for the most part proceeding in a calm and rhythmic fashion. The piece originated as a satire of a typical conversation of old women. 1 The recording itself, however, produces a less comical effect, especially in its calmer phases. Much in the manner of a meditative mantra, the ceaseless, near hypnotic repetition of a single simple phrase serves to empty the mind of the listener, clearing it of its usual cluttered run of thoughts and judgments, and its own ceaseless stream of affirmations and denials. Masterband uit 1968, Staatliche Kunstakedemie Düsseldorf
• Documenta 6
  Schneckenburger, Manfred
• Stedelijk Museum Amsterdam ´60´80
  Wilde, Edy de
• The Art of Perfromance
  Battcock, Gregory
• Rebecca Horn
  Haenlein, Carl Albrecht