Items

• Kunst & Museumjournaal
  1993
• Kunstforum International
  Die neue Auftragskunst
• Kunstforum International
  Documenta 14
• Kunstforum International
  Museumsboom
• Kunstforum International
  Vom Sinn der Kunst
• Kunstforum International
  Politik, Ethik, Kunst
• Kunstforum International
  Migration, Mythen und kollektive Psychosen
• Kunstforum International
  Die vierte Welle; Feminismus Heute
• Kunstforum International
  58. Biennale Venedig 2019
• Kunstforum International
  Borderlines. Kunst _ Nichtkunst _ Nichtkunstkunst
• Kunstforum International
  Gegenwartsbefreiung
• Kunstforum International
  exhibit!
• See All This
  2020
• See All This
  2020
• See All This
  2016/2017
• Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee, 1968
  The performance took place at the State Art Academy in Düsseldorf in December 1968. For close to an hour its three participants intoned the phrase ‘Ja, Ja, Ja, Ja, Ja, Nee, Nee, Nee, Nee, Nee‘ [Yes, Yes, Yes, Yes, Yes, No, No, No, No, No], speaking at varying speeds and with varying inflections, but for the most part proceeding in a calm and rhythmic fashion. The piece originated as a satire of a typical conversation of old women. 1 The recording itself, however, produces a less comical effect, especially in its calmer phases. Much in the manner of a meditative mantra, the ceaseless, near hypnotic repetition of a single simple phrase serves to empty the mind of the listener, clearing it of its usual cluttered run of thoughts and judgments, and its own ceaseless stream of affirmations and denials. Masterband uit 1968, Staatliche Kunstakedemie Düsseldorf
• Documenta 8
  n.n.
• Documenta 6
  Schneckenburger, Manfred
• Kunstforum International
  Parallele Kunst - Ein Rückblick auf die 80er Jahre
• Bright Collisions
  Wentink, Gwyneth
• ZERO
  Poerschmann, Dirk
• Information Arts
  Wilson, Stephen
• Arken
  Jalving, Camilla
• Het kruis als universeel teken bij Beuys
  Kotte, Wouter
• Rinke, Klaus
  Rinke, Klaus