Items

• Museumjournaal
  1972
• Museumjournaal
  1980
• Kunstforum International
  Borderlines. Kunst _ Nichtkunst _ Nichtkunstkunst
• Kunstforum International
  Act! Die entfesselte Performance
• See All This
  2016
• Prins Bernhard Cultuurfonds Magazine
  2019
• Muze
  2021
• Muze
  2021
• See All This
  2017
• See All This
  2017
• See All This
  2018
• Prins Bernhard Cultuurfonds Magazine
  2021
• Prins Bernhard Cultuurfonds Magazine
  2019
• Tableau
  2012
• Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee, 1968
  The performance took place at the State Art Academy in Düsseldorf in December 1968. For close to an hour its three participants intoned the phrase ‘Ja, Ja, Ja, Ja, Ja, Nee, Nee, Nee, Nee, Nee‘ [Yes, Yes, Yes, Yes, Yes, No, No, No, No, No], speaking at varying speeds and with varying inflections, but for the most part proceeding in a calm and rhythmic fashion. The piece originated as a satire of a typical conversation of old women. 1 The recording itself, however, produces a less comical effect, especially in its calmer phases. Much in the manner of a meditative mantra, the ceaseless, near hypnotic repetition of a single simple phrase serves to empty the mind of the listener, clearing it of its usual cluttered run of thoughts and judgments, and its own ceaseless stream of affirmations and denials. Masterband uit 1968, Staatliche Kunstakedemie Düsseldorf
• Survival of the prettiest
  Etcoff, Nancy
• Stedelijk Museum Amsterdam ´60´80
  Wilde, Edy de
• Bauhaus
  Droste, Magdalena